![]() I also exclusively use Resolve and make everyone around me use it. I currently own three 6ks modded with PL mounts. A company who listens to their customers. I praise this company as the company that gives users the features they want way before others do. If we cannot, then we have to use an editor that does. As camera codecs gain traction, editors need to be able to edit the codec given to them. I need to be able to edit ProRes Raw natively and even a codec such a Z Raw. If Blackmagic want DaVinci Resolve to continue to be a serious editor, then they have to support all the serious codecs out there. As ProRes Raw continues to gain traction, people will be forced to Adobe or Final Cut.īlackmagic needs to remember how Adobe took market share from Final Cut with the initial release of Final Cut X. And to date, they seem to only be hurting their users and ultimately themselves in the form of market share. As others have mentioned, I don't see any reason for Blackmagic, other than childish ones, for them to not support the codec. I too am looking for DaVinci to support ProRes Raw. We took everything we learned from years of AVCHD and HDV parsing, and made a fast, robust tool for all major camera formats.Isn't BRAW an open-source codec? ProRes Raw is not an open-source codec, correct? Therefore, can't any camera manufacturer implement BRAW internally into their camera? You can even set in and out points to limit your transcodes to only the part of the clip you need.ĮditReady is a modern transcoding and rewrap application by the same people who brought you ClipWrap. Or check your previewed clip in ScopeBox via our integrated ScopeLink connection. Apply a LUT to preview your LOG media in video, or with a specific predetermined look. You can even use metadata to automatically rename files, or burn it into overlays.ĮditReady allows you to screen your camera original media files before you transcode them. It can even leverage the power of your graphics card for fast image processing.ĮditReady allows you to view and edit all of the metadata contained within your file - this may include location data, camera settings, and diagnostic information. Use the overlay tool to burn-in timecode, reelnames, shoot dates, media names, etc.ĮditReady is designed to use all the power available on a modern Mac. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. ![]() ![]() Use the overlay editor to layout custom overlays to be composited on top of your video. Write DNxHD/HR OPAtom or OP1a MXFs for Avid Media Composer. Output QuickTime movies for Adobe Premiere Pro and Apple Final Cut Pro, FCPX, and iMovie. * QuickTime and MP4 cameras, DSLRs, and phones * Burn-in timecode, metadata, custom text and imagesĮditReady automatically parses camera media and metadata and converts to high quality edit formats so you can get to work fast. * Resize, rotate, retime, trim in and out points, and apply color changing LUTs * Designed to ensure you get the best quality output for your source media without confusing settings * Rewrap or transcode media into edit-optimized masters and proxies Radio TugaNet: Ola Bom Dia Juventude, Aquele Abraço a todosįast, simple transcoding for dailies, editorial, and delivery.Įasy, Fast and Powerful Transcoding for Video Professionals.FELISCUNHA: Votos de um santo domingo para todo o auditório.joca34: Marta Miranda - A Vitória Chegou 2021.
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